Approaching Ultra Light

Ausgangspunkt ist eine Recherche zu den Fahndungsphotos und Fahndungslisten, die im Auftrag des Schweizer Nationalstaats erstellt und als erste koordinierte Polizeiaktion, fahrende lebende Gemenischaften im Zentraleuropäischen Raum systematisch erfasst, anhand von Fotografien und dafür entwickelter Identitätskategorisierungen verfolgt, zerstört und ausgeölscht haben.

Fragen des Widerstands, des Verhältnisses dieses frühne Antiziganismus als Kernelement moderner Gesellschaften, der Applikation von Unterwerfungs- Unterdrückungs und Adminsitrationsverfahren, zur Kontrolle, Homogenisierung, Enteignung der Ressourcen und der kulturellen Enteignung der Gesellschaft, die in den Kolonien erprobt und nach Europa zurück gebracht wurden.

Die Performances stellt dabei die Macht des Dokuments und des Dokumentierens, des Zugangs zu frühen bildgebenden Technologien, die Übertragung von Naturwissenschaftlichen Ordnungs- und Kategorisierungssystemen auf die Bevölkerungserfassung, der mündlichen Überlieferung, und der Verweigerung sich den Machtinstrumenten der sesshaften Mehrheitsgesellschaft vollends zu unterwerfen gegenüber.

Performance photo

Approaching Ultra Light, ERIAC, Berlin, 2025

Approaching Ultra Light, ERIAC, Berlin, 2025

performing, appearing

your memory

my search for it

the manhunt

the registration

the listing

a bourgeois way of life

sedentary

the invention of the address

the invention of the IP address

indexed

the vocabulary of modern administration

allocation

expulsion

deportation

the beginning of administrative modernity

the division of names into real ones and false ones

the criminalisation of non-settled ways of living

the invention of population

“some instructions

approaching“

“I have no money

and she has no money.

I am under the influence of no one.“

“this is how it begins“

“A cast of over 50 characters moves through the scenery.

Each voice represents five or six roles, male or female.

If possible, they will be masked.

No unnecessary gestures.

Every gesture must be visible.

Objects drawn in trompe-l’œil,

a milestone and a rock-pile.

The world of the living touches that of the dead

by means of silently moving screens.“

“I want to bust up the government,

to destroy every government

that’s telling me what to do,

controlling the me that I most want to be me.

Bust up the society, that causes government

the money that denies feeling, and irrationality I hate.“

“Behind the screens is a stage-hand moving.“

I’m finding you here as phantom file

I don't remember having created this folder

in one or an other way

I don't remember having messed with

the state in one way or any way

it’s not easy for me, to move through your memory

interruptions and connection breakdowns

in all directions

only the repetitions are precise

who says this society is white

and how are you

although it is not

and how are you

you’re still recognising my voice

without program features,

without tracking services

as if you still

as if you’d still recognise it

even though names and associations

have long since disappeared

- you recognise me

I have known her for a long time

I’d known her for a long time

I have known her for a long time

knowing someone for a long time

the search engine and me

an unsuccessful consciousness raising group

the memory ceases

the memory has been terminated

now it begins

you come in again

now it starts

she tells her story again

- everything she has left out so far

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